Woods
Wood has been used in the making of furniture, boxes, and decorative objects since the earliest civilisations. Long before industrial production, cabinet makers relied on the natural properties of timber, its strength, stability, grain, colour, and scent to create objects that were both functional and enduring. In the world of antiques, wood is not simply a material; it is a historical record of trade, fashion, craftsmanship, and technological progress.
This guide provides an overview of the principal woods used in antique furniture and boxes, outlining their origins, characteristics, and historical use. From widely recognised timbers such as mahogany, oak, walnut, and rosewood, to more specialised and exotic woods including satinwood, coromandel, amboyna, kingwood, and sycamore, each material played a distinct role in furniture making across different periods and regions.
The availability of timber, driven by global trade routes, colonial expansion, and evolving manufacturing techniques, directly influenced furniture design. The development of veneer, first used by the Ancient Egyptians over 5,000 years ago, allowed rare and expensive woods to be used efficiently, maximising visual impact while maintaining structural stability. This technique reached exceptional levels of refinement during the Georgian, Regency, and Victorian periods and remains one of the defining features of fine antique furniture and boxes.
Many of the woods featured in this guide are no longer commercially available in meaningful quantities. Species such as coromandel, certain rosewoods, and large-scale mahogany have been logged to near extinction, making surviving antique examples increasingly important. The aged surface, natural oxidation, and accumulated patina of these woods cannot be replicated and form a crucial part of an object’s authenticity and value.
As our stock is constantly evolving, this page will continue to grow as new woods and examples are added. Each wood listed is represented within our collection, whether in furniture, boxes, or decorative objects.
Caring for Antique Woods – A Practical Guide
Proper care is essential to preserve antique wood, its surface, and its patina. With correct maintenance, antique furniture and boxes will remain stable and visually rich for generations.
Routine Cleaning
- Dust regularly using a soft, dry cloth or microfibre duster. Dust acts as an abrasive if allowed to build up.
- For heavier dust, a vacuum with a soft brush attachment may be used gently.
- Avoid feather dusters, which can scratch delicate surfaces.
Light Cleaning
- If necessary, use a barely damp cloth, wrung out thoroughly to remove surface dirt, followed immediately by a dry cloth.
- For greasy or stubborn marks, a small amount of neutral pH cleaner may be used. Museum-grade products such as Vulpex are preferred.
- Always test cleaning products on an inconspicuous area first.
Waxing & Feeding the Wood
- Apply a high-quality beeswax or traditional antique wax polish once or twice a year (we recommend Harrells).
- Use a soft cloth to apply sparingly, allow it to settle, then buff gently.
- Clear wax is suitable for lighter woods; medium or dark waxes are often better for oak, walnut, and mahogany as they enhance depth and disguise minor wear.
- Avoid silicone sprays and modern chemical polishes, which can damage finishes and complicate future conservation.
Environmental Care
- Keep antiques out of direct sunlight, which can fade veneers and dry the wood.
- Avoid placing pieces near radiators, fireplaces, or heat sources, which can cause cracking or lifting veneer.
- Maintain stable humidity to prevent expansion and contraction.
Preservation & Restoration
- Patina should never be stripped or sanded; it is integral to value and authenticity.
- Loose veneer, lifting inlay, or structural issues should always be addressed by a professional conservator.
- Brass or metal mounts should not be aggressively polished; gentle waxing or specialist care is preferable.
At Mark Goodger Antiques, conservation is approached with restraint and respect. We prioritise originality, correct materials, and minimal intervention, ensuring that each piece retains its historical integrity while remaining fit for continued use.
